Ebook Free , by Anna-Marie McLemore
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, by Anna-Marie McLemore
Ebook Free , by Anna-Marie McLemore
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Product details
File Size: 3434 KB
Print Length: 286 pages
Publisher: Thomas Dunne Books (October 4, 2016)
Publication Date: October 4, 2016
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B01CXOYMZ4
Text-to-Speech:
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Amazon Best Sellers Rank:
#289,683 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Anna-Marie McLemore’s When the Moon Was Ours is one of the most stunning novels I’ve ever read. It’s a short novel, but I found myself pausing every few pages because McLemore’s writing was so beautiful, I needed a moment to truly appreciate it. Taking inspiration from the folklore of La Llorona, McLemore weaves a tale about a boy and girl trying to discover who they are in a world that doesn’t quite understand them. Miel’s past is a mystery, from the moment she emerged from the water tower, her past has been locked up deep inside her. Most people aren’t sure what to make of her and the roses that grow from her wrist, but she’s always found a companion in Sam, a transgender boy who’s always felt like an outsider himself. Sam is trying to understand his own gender identity while also trying to appease those around him. Though it was hard to read when people tried to take advantage of Sam and “expose†him, it was an honest display of how many believe they have more of a right to determine someone’s identity than the person themselves does. McLemore’s characters are a mix of vulnerability and strength; her story is both dark and whimsical; and her words are moving and breathtaking. It’s novels like When the Moon Was Ours that make me love the genre of magical realism even more. If you haven’t picked up Anna-Marie McLemore’s novels yet, I strongly encourage you to do so.
This book has been on my TBR for quite a while now, and there's a reason for it. There are books out there that are so hyped and with concepts so painfully up my alley that utterly utterly let me down. Sometimes friends and writers and readers whose opinions I completely trust still love those books, and I have this almost visceral confusion over what I've missed or even what they missed. Was I too critical? Did I just not understand it? Why didn't I enjoy this book I hoped to love when so many people did?I've heard nothing but good things about this book, literally not a single negative review from anyone I know (as opposed to people down in the reviews below, I mean). Add in the fact that just the dedication alone had me tearing up, and I got almost terrified of reading this book and discovering I didn't like it as much as I thought I would.But y'all. This book. THIS FREAKING BOOK. I legitimately cried from about halfway through until the end of the book. I went through half a box of tissues in sheer 'oh my HEART' tears, and once I was finished with it, I sat on my bed just holding it closed to my chest for a good ten minutes in that book hangover paralysis.It was just stunning. I don't know what else to say besides that.
Content warnings: transphobia (challenged), incidents similar to self-harm, child abuseWhen I read a particularly beautiful or arresting passage of a book, I linger on it, letting the words roll around in my mouth to savor their texture and flavor. It doesn't happen with every book; when it does, it's usually not that often and only consists of a couple of sentences. To my shock and utter delight, though, When the Moon Was Ours was filled almost entirely with these kinds of passages, consisting of whole chapters that made me slow down and marvel at their otherworldly beauty.This is the story of Miel, a Latinx girl who washed out of a water tower one day and has roses growing out of her wrist, and Samir, a Pakistani boy who hangs the moon wherever he can. The whole town believes Miel is a fearsome witch because of her roses and her emergence from the water and the fact that she lives with a curandera named Aracely who cures the lovesick people of the town. The truly fearsome witches, however, may be the Bonner girls, las gringas bonitas, who beguile the boys and men of the town and take whatever they want for themselves...including Miel's roses.Anna-Marie McLemore's prose is shimmering and poetic, creating a dreamlike narrative that showcases the beauty and wistfulness of magical realism. Glass pumpkins grow out of the ground in jewel tones. Lovesickness takes physical form, flying out of a window once it's been wrenched from the body of a spurned lover. A mysterious woman emerges fully formed from a cloud of thousands of butterflies. McLemore's lyrical style breathes life into her delicate fairy tale, showing readers the possibility that lies within each of us to become who we are truly meant to be.The idea of becoming yourself and living your truth applies to all the characters in the book, but it would be an act of erasure on my part to pull focus from the story of Samir, the transgender boy who hangs the moon. For the most part, Samir's friends and family give him the time and space he needs to understand his true feelings and true self, and we get the privilege of seeing him work through the complicated thoughts and emotions that come with being a trans teen.I'm cisgender, so please take my opinions here with every grain of salt in existence, but Samir's depiction feels insightful and authentic to me. His characterization is empathetic and lovingly crafted — in the acknowledgments and the author's note, McLemore states that her relationship with her husband, who is trans, inspired much of the story. She also says that he helped her a great deal in writing Samir by answering questions about his experiences as a trans boy; that level of care and intimacy shines through in the book, which is one of the most touching coming out stories and one of the loveliest romances I've ever read.When the Moon Was Ours is a tale that will wrap you up and whisper to you, promising heartache and pain but assuring you that it will all be worth it in the end. It will tell you that who you are inside is who you really are; it will tell you that no one else has the right to decide what to do with your name or your body or your identity. It will tell you that magic exists, that hope exists, that possibility exists. And — especially for the brilliant, shining time that you spend lost in its pages — it will be right.
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