PDF Download Glitter and Doom - German Portraits from the 1920s, by Sabine Rewald
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Glitter and Doom - German Portraits from the 1920s, by Sabine Rewald
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Published in conjunction with an exhibition held in New York by the Metropolitan Museum of Art, November 14, 2006, to February 16, 2007. Full-page reproductions and illustrated commentary on 109 works (paintings and drawings) plus 3 illustrated essays (“I must paint you!" by Sabine Rewald; Faces of the Weimar Republic by Ian Buruma; Neue Sachlichkeit in Germany: a brief history by Matthias Eberle) and a chronology.
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Product details
Paperback
Publisher: Metropolitan Museum of Art (2006)
Language: English
ISBN-10: 1588392007
ISBN-13: 978-1588392008
ASIN: B001PN91D8
Package Dimensions:
10.9 x 8.5 x 1.4 inches
Shipping Weight: 2.7 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#948,080 in Books (See Top 100 in Books)
This is the catalogue for a beautiful exhibition held at the Met last year. The paintings reproduced here are among the best examples of the New Objectivity, a movement that was able to depict the atmosphere, the soul, the world of the Weimar Republic, that brief time span when pre-war Germany enjoyed freedom in the arts and in the minds. These gripping paintings show how ultimately doomed that world was and how the artists were the first to sense the tragic developments that were to succeed it. The front cover, a detail of one of Christian Schad's best known paintings, is a perfect illustration of a society that seems to have enjoyed life knowing that death would come too soon, with the end of that joyful and poetic decadence that was the Berlin of the 1920's.
Finally an excellent review of what the first World War did to German culture and psyche. This book lays it all out. Hitler was a logical consequence. Unfortunately the Western world did not pay enough attention to these portentious signs. The book has beautiful color reproductions, great detailed commentary on each artist featured and enaough historical commentary to make it all plausible.
Otto Dix is a giant of this and any period,The book is beautifully art directed and printed
The actual exhibit at the Met was good (although I thought it'd be bigger) and relatively informative, but the book gets into depths the exhibit couldn't. Ideally you should see the exhibit and then read this book. You can't quite get the experience of seeing the works within the book, and you can't exactly get the knowledge of just reading the little blurbs that are glued beside each piece in the exhibit.The book explores the themes of German life before the world turned on itself and the second world war exploded. For the money it's worth the dive into the weird and fascinating world of German Expressionism.
wonderful book.
I would highly recommend this book for History Buffs and anyone who enjoys innovative German art from the 1920's-30's. Ample background is presented about the circumstances that engendered the creation of these works. The works themselves are astounding. This is a book I will read much more than once.
This is an amazing art book about the German underworld in the 1920s before the reign of Hitler during the fall of the Weimar Republic after World War I. This book contains mainly dark and disturbing art pieces that are featured at the Metropolitan Museum of Art through February 2007. Very interesting to read about and it basically sums up the entire collection and more that are featured at the MET. Great book... not for the squimish. This book is really very dark and it does tell the true story of Germany during the 20s.
Twice viewed the exhibition at the Metropolitan Museum here in New York. German art in the 20s is raw, obscene and decadent. A raucus reflection on hard times there. They had just suffered WW1, in the midst of fascism, insane inflation, etc. Highlight: Otto Dix is a wild artist, forever a favorite now. Also a DaDa artist.I am a frequent art museum visitor. Therefore, in my opinion, this catalogue did the show great justice which is not aways the case.
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