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Thursday, January 27, 2011

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About the Author

Bridget Brennan is the CEO of Female Factor, the world’s top consultancy focused on women consumers. She is the leading professional speaker on the subject of engaging women as customers and decision makers. She is also the author of the book Why She Buys: The New Strategy for Reaching the World’s Most Powerful Consumers (Crown Business, 2011). In her work, she’s conducted research with thousands of women on their purchasing habits and preferences, and provides counsel to Fortune 500 executives and sales teams on developing strategies to grow their businesses. She was named a “Woman to Watch in Retail Disruption” by the Remodista think tank and is a contributing writer for Forbes.com. Additionally, she is a member of the Vikings Women Advisory Board of the Minnesota Vikings National Football League team and a frequent guest lecturer at universities. In her work at Female Factor, Brennan developed a sales training program that has been implemented successfully at major companies throughout the United States. Based in Chicago, she is a sought-after presenter at conferences and industry events around the world. Learn more about her at www.bridgetbrennan.com.

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Product details

Hardcover: 256 pages

Publisher: HarperCollins Leadership (March 5, 2019)

Language: English

ISBN-10: 1400209978

ISBN-13: 978-1400209972

Product Dimensions:

6.2 x 0.9 x 9.3 inches

Shipping Weight: 13.8 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#126,115 in Books (See Top 100 in Books)

Another engaging and fun read from Brennan. Building on gender psychology she explored in her first book, Winning Her Business is loaded with practical strategies to make customers feel good about buying from you. Each chapter offers valuable tips that enable anyone who works with customers to leverage the competitive advantage inherent in a face to face sales experience--essential to survival an increasingly online world. Her fresh perspective and conversational writing addresses potentially sensitive gender issues with grace and poise. Without hesitation, I recommend this book. It's a must read for anyone on the front lines of customer service.

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Saturday, January 8, 2011

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Product details

Paperback: 136 pages

Publisher: Independently published (October 29, 2018)

Language: English

ISBN-10: 1729418538

ISBN-13: 978-1729418536

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Monday, January 3, 2011

Download PDF The Elements of Spellcrafting: 21 Keys to Successful Sorcery, by Jason Miller

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Review

"Poignant and precise, well-articulated and presented with steady pace; Jason Miller once again delivers a magical manual for modern practioners who want to go deeper and get more out of their witchcraft. Full of newly developed material, wit, and a confident tone, The Elements of Spellcrafting is a new take on advanced witchcraft and spellcraft that will expand your practice and point you in the direction of power and success. This is not a book I would lend out, you will never see it again!" --Devin Hunter, author of Witch's Book of Power and Witch's Book of Spirit"This is one of those books of magic, far too rare, that make me want to stand up and applaud. Miller is not one for airy theorization. He's a practical magician and he keeps his sorcerous tires firmly on the pavement, as he lays out the common misconceptions and errors that magicians make, and best of all, the beneficial techniques that magicians often have to stumble onto themselves. Those new to magical practice will find this book a handy inoculation against nonsense and a guide through thickets of time-wasting foolishness. Those old hands at magic will find themselves thinking 'oh, so that's why that didn't work--of course!' It's a time saver and a breath of fresh air, clearing away the clouds of incense, all with humor, humility, and frank clarity. This is a book that makes you want to do magic." --Patrick Dunn, author of Magic, Power, Language, Symbol and The Practical Art of Divine Magic"Sage, salt of the earth instruction for witches and occultists at all levels. Don't be afraid to ask for more than you deserve and now with this book, you'll have a plan rooted in witchcraft as well as practicality to achieve it!" --Deborah Castellano, author of Glamour Magic"In The Elements of Spellcrafting, Jason Miller shares his knowledge, experience, and insights with us and he does it with grace, good humour, and practical common sense. This book will be of interest to anyone interested in the magical arts or wishing to become a better spellcaster." --JJudika Illes, author of The Element Encyclopedia of 5000 Spells and other books devoted to spirituality and the magical arts.***there are more

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About the Author

Jason Miller (Inominandum) has devoted 25 years to studying practical magic in its many forms. He is the author of the now classic Protection and Reversal Magick as well as The Sorcerer's Secrets, Sex Sorcery and Spirit, and Financial Sorcery. He also runs the Strategic Sorcery Training Course, Take Back Your Mind Program, and The Sorcery of Hekate Training. He lives with his wife and children in the New Jersey Pine Barrens. Find out more at www.StrategicSorcery.net.

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Product details

Paperback: 224 pages

Publisher: Weiser; 1 edition (February 19, 2018)

Language: English

ISBN-10: 1632651203

ISBN-13: 978-1632651204

Product Dimensions:

6 x 0.5 x 9 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

50 customer reviews

Amazon Best Sellers Rank:

#263,371 in Books (See Top 100 in Books)

I got to admit that Jason Miller is often hard to be liked for one simple reason: He has been shattering a bunch of my (and I'm sure other people's) magical dreams for several years now. In my case although not wild, most of these dreams and wishes were simply unrealistic i.e. not rooted in everyday reality which I'm living in. So that is the huge value of this book. The premise that, if you want to really change your reality with magic, you need to get very real about that same reality, must be accepted and taken into account if you want for things to work out. It sounds simple but it is not and this book helps. It is written to make your magic safer, more predictable and effective. Jason Miller deserves full respect for his work so buy the book, read it, think about it, change some of your ways to improve your magic and strengthen your mojo.

The Elements of Spellcrafting hits that perfect teaching mix, where tone and content both offer specific, actionable guidance AND push the student to further learnings. This is NOT a book of spells; this is a guidebook offering practical, usable advice to gauge your true successes, hone your craft, and actually see increasingly measurable results in your daily life. Although this obviously is a book, I truly get the strong impression that the last thing the author wants is for us to be sitting reading - he wants us to be up out of our chairs, active, thoughtful, critical and INVOLVED (in Jason's words, "[S]top focusing on the nouns of life and start thinking about the verbs"). This book gives both beginners and adepts alike the tools for such involvement. No matter your current state of learning/sorcery, if you want to bring your magic to the next level, add this to your library.

This is quite possibly Jason's best work to date. As a student of his, I took the audio class that preceded the book, so was expecting just regurgitation of that material. I WAS WRONG. The 3 hour class was terrific, the book is deeper. From the first chapter it hooks you & challenges you. My highlighter was running out of ink by page 33. This will become rewired reading for my students. Buy the book!

It’s always a delight to find an original thinker in any field, but particularly in magic, a subject which seems to invite a great deal of theorizing and pontificating, too much of which is simply regurgitated material.This book, based on the author’s extensive, cross-cultural adventures, decades of magical practice, and what is clearly a long-term habit of thinking things through, offers both beginners and advanced magicians a lot to consider about their own magical practices and methods and how they can be improved.This is a book of concepts, not spells. Ideas, not lists of materia. But the advice is eminently practical, and the book is streamlined, well organized, and fun to read. It’s not a beginner’s magic book, though I think all beginners should read it. It is definitely a book that belongs on the shelf (or e-reader) of anyone who takes magic seriously.

Amazon reviewJason Miller continues to be a breath of fresh air. He’s like your gruff uncle in Jersey who calls you on your stuff, but only because he has your best interests at heart. Even the annoying typos pointed out by another reviewer (and for which I debated taking off one star) just reinforce his image as a down-to-earth, practical guy.I really, really like this book. The author zeros in on essentials with a minimum of fluff. Despite his folksy writing style, he’s obviously thought very deeply about the whole magical continuum, from high spiritual development to getting the cash for that new sailboat. And like any true expert, he knows the landscape well enough to steer you in the right direction, with a minimum of lengthy explanations.Miller knows you need to make “mundane” efforts to get to that tipping point where magic can send you down the slopes full-speed toward your goal. As such, this is a book of advice Uncle Jason could be giving anyone starting out “adulting,” whether they are interested in magic or not. He weaves magical and mundane advice together seamlessly—and beautifully. Scaffold your goals. Plan your work and work your plan. Take responsibility for your desires (oh, and figure out what they really are).Which brings me back to the point about “starting out.” The author presumes you have already figured out how to do magic, but you aren’t getting the results you want. That may be true for experienced readers, but wouldn’t it be great to have this advice right from the beginning? Miller is clear that this is not a beginner book, yet I have a (very small) bit of sympathy for the negative reviewer who complained about the lack of “basics.” Some kind of road map (appendix or an expanded reading list), while not strictly necessary, would expand the book’s usefulness to the beginner. I gather the author got his knowledge the hard way, by trying a lot of things and getting burned a few times, so perhaps this is why he isn’t more directive in this area. He does take a stand on a few practices he considers unethical. (Since they tend to be illegal, too, they are not very practical anyway, and thus a non-starter for Miller.)If you are a beginner, get this book (and some other source for how-to information). If you are experienced, get this book and rethink your approach with every chapter. If you aren’t interested in magic at all, you might still want to read this book. You’d get a sane and practical outlook on living that would serve you very well, courtesy of your Uncle Jason from Jersey.Full disclosure: I received an advance pdf of this book for review. I liked it so much I purchased a hard copy of the book.

This book is definitely for any Practitioner, of whatever background, who really wants to make their Magic WORK in their lives. I'm glad I read this book early on in my studies. Like many new enthusiasts, I had bought the candles, the oils, the altar items, etc,, but then found myself thinking, "Well now what?" Mr. Miller makes that one of his key points. If you want Magic to work, then be prepared to work at it. We can't use blanket statements like "I want Prosperity" and then expect the forces we work with to deliver tangible results. In his 21 Keys, Jason Miller calls out many of the mistakes we, and he himself, have made. This book isn't a book of spells. It is a book on how to make your own spells work plus (most importantly) the work you will have to put in for making them work.. His writing style is honest, down-to-earth, and practical. Whatever background you are from, this book will help train you in the mode of thought and the practical steps needed to make Magic Work.

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Friday, December 31, 2010

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Series: GeoCenter Euro Map

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Tuesday, December 21, 2010

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Disney's Winnie the Pooh: A Celebration of the Silly Old Bear


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Disney's Winnie the Pooh: A Celebration of the Silly Old Bear

Product details

Hardcover: 176 pages

Publisher: Disney Editions; 1st edition (July 10, 2000)

Language: English

ISBN-10: 0786863528

ISBN-13: 978-0786863525

Product Dimensions:

9.2 x 0.9 x 11.2 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,907,690 in Books (See Top 100 in Books)

Winnie The Pooh has become such a popular Disney icon that he has arguably surpassed Mickey in popularity.The Winnie the Pooh films were one of the last animation projects that Walt would oversee. He only lived to see the first feature released. The films overlap in the Walt era and the so-called dark age of Disney animation, but generally considered a product of Walt's era.Author Christopher Finch writes about the origins of Winnie the Pooh and how Disney became involved (this covers the production of each featurette.Each of the characters is detailed as well as each of the featurettes.The section on the featurettes simply tells the plot of each one, but it is chock full of production artwork ranging from animation drawings, story sketches, to cels. I'm not sure of many other books out there that contain production art relating to Disney's Winnie The Pooh.This book gives an adequate look at Disney's Winnie the Pooh along with lots of production artwork.Highly Recommended for Disney and Pooh Fans.

A nice short history of Pooh prior to and including Disney. Chapters were not long. Each character has a single page write-up and a synopsis of all 4 featurettes. Plenty of artwork, some small, some full page. Overall a nice addition for the Pooh or Disney lover.

This book has many excellent sketches and artwork along with the full history of The Hundred Acre Wood's. Excellent for anyone interested in the in depth development of characters from paper to screen

Great Walt Disney classic animation art book. Hardback, great cover, lots of colour pictures, excellent stuff, highly recommended by me.

It includes the whole story of Walt Disney's involvement, A.A. Milne's ideas and the story of the real Christopher Robin as well as the author's personal story.

Christopher Finch is one of the premier authors on Disney and animation history. Winnie-the-Pooh: A Celebration of the Silly Old Bear is definitely one of his best works. While it may not quite match up to the sheer power of his most recognized book on Disney, The Art of Walt Disney, it is definitely a wonderful look at Winnie-the-Pooh. The book appropriately starts out with a look at A.A. Milne, the author of the original Pooh books. The chapter on Milne is clear, concise, and very informative. As the book slides into the Disney version of Pooh is starts to "Disnify". There is the chapter on the four Pooh shorts, the chapter on each of the characters, etc. While these sections are interesting, they seem a little static. There could be more on the relationships and interactions between the characters. The book serves as more of a basic guide to the world of Pooh than anything else. If you want a nice gift book that is a fantastic overview of how the Disney pooh came to be, you will probably enjoy this book. There is yet to be a book published, though, that truly delves into how Disney made Pooh such a worldwide smash success, but right now this is the definitive book on the Disney Pooh.

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Disney's Winnie the Pooh: A Celebration of the Silly Old Bear PDF

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Disney's Winnie the Pooh: A Celebration of the Silly Old Bear PDF

Monday, November 22, 2010

Get Free Ebook Homebody/Kabul: Final Revised Version, by Tony Kushner

Get Free Ebook Homebody/Kabul: Final Revised Version, by Tony Kushner

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Homebody/Kabul: Final Revised Version, by Tony Kushner

Homebody/Kabul: Final Revised Version, by Tony Kushner


Homebody/Kabul: Final Revised Version, by Tony Kushner


Get Free Ebook Homebody/Kabul: Final Revised Version, by Tony Kushner

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Homebody/Kabul: Final Revised Version, by Tony Kushner

Review

“The playwright of ideas compels us to look afresh at tinderbox issues in a feverish search for understanding the near unsavable world of Homebody/Kabul. It’s about desolation and love in land-mined places, private agony and public squalor, fathers and daughters, the Babel of language and lost civilizations, disintegrating, rotting cultures, sordid Western values and furious opposites, murderers and fanatics, opium highs and tranquilized lives lived out in disgust and self-obliteration. It’s about travel in the generous, best sense of the word—travel of the exploding, despairing mind and soul. To where? A place where warring people might one day meet, where steps can be relearned and the meaning of words reborn. The voice of yearning within Homebody/Kabul has now become more urgent, as if time were running out in sickness of heart and soul. Name me a better play of our time—for our time.” –John Heilpern, New York Observer“Tony Kushner’s searching epic of ideas restores lost connections between theater, thinking and current events. Perhaps no one but Kushner could provide such compelling guidance through the devastation of Kabul, in all its blasted complexity.” –Adam Feldman, Time Out New York“Of course, we’ve come to expect celestial wordplay and cosmically elevated thoughts from Kushner, author of A Bright Room Called Day, Slavs! and the Pulitzer Prize- and Tony Award-winning opus Angels in America. We’ve also come to expect plays that aren’t neat and tidy, that force you to engage rather than passively absorb and don’t let you race home in time to catch the eleven o’clock news…Few, if any, modern English-language playwrights of ideas can match Kushner’s intellectual sweep, his subtle but razor-edged sense of humor and his gift for peeling back layers of character until we finally see the naked human within. Even fewer can equal his fiery moral passion or sheer gutsiness. With Homebody/Kabul Kushner has dared to walk through a contemporary minefield, a dramatic terra incognita, without the benefit of a Baedeker to guide him, and emerged intact on the other side with a powerful story to tell.” –Reed Johnson, Los Angeles Times“Searing…Kushner’s use of language and ideas continues to make us think about the deeper questions…a masterful conglomerate of words, ideas, and history.” –Mary Houlihan, Chicago Sun-Times“Brilliant…this is a play for those who are interested in the root causes that preceded September 11, for those who can see through the fog of patriotism to the finer distinctions, who are finally ready to ask how on earth do we get out of this godforsaken place, who can bear to contemplate the thought that we have participated to some extent in our own tragedy.” –James Reston Jr., American Theatre“Kushner, a writer who is always on high alert to humanity as well as history, has, in the Homebody, created a character—an ‘impassioned, fluttery, doomed’ character—who is timeless as well as timely.” –Nancy Franklin, New Yorker“Homebody/Kabul is a welcome payoff for all who’ve been waiting a decade for a worthy follow-up to Kushner’s landmark Angels in America. Kushner’s plunge into the murky whirlpools of Afghan history, culture, and politics is astonishing in its intellectual scope. It is also fierce in its dramatic engagement with complex realities and deeply humane. Kushner has led and provoked our minds as richly as he’s engaged our sympathies.” –Robert Hurwitt, San Francisco Chronicle“Dazzingly written, insightful and timely. The playwright’s generous viewpoint is liberal and progressive. His language is rich, his canvas is vast and his storytelling dynamic.” –Michael Sommers, Newark Star-Ledger“Homebody/Kabul is a rich and intelligent piece.” –Peter Brook“A richly interesting play…most American dramatists look inwards. Tony Kushner has always gazed outwards. And not the least remarkable fact about Homebody/Kabul, written well before the events of last September, is that it attempts to embrace and explain the history, culture and ethos of Afghanistan.” –Michael Billington, The Guardian (UK)

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About the Author

Tony Kushner’s plays include Angels in America; Hydriotaphia, or the Death of Dr. Brown; The Illusion, adapted from the play by Pierre Corneille; Slavs!; A Bright Room Called Day; Homebody/Kabul; Caroline, or Change, a musical with composer Jeanine Tesori; and The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures. He wrote the screenplays for Mike Nichols’s film of Angels in America and for Steven Spielberg’s Munich and Lincoln. His books include The Art of Maurice Sendak: 1980 to the Present; Brundibar, with illustrations by Maurice Sendak; and Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict, co-edited with Alisa Solomon.Among many honors, Kushner is the recipient of a Pulitzer Prize, two Tony Awards, three Obie Awards, two Evening Standard Awards, an Olivier Award, an Emmy Award, two Oscar nominations, and the Steinberg Distinguished Playwright Award. He is a member of the American Academy of Arts and Letters. In 2012, he was awarded a National Medal of Arts by President Barack Obama. He lives in Manhattan with his husband, Mark Harris.

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Product details

Paperback: 172 pages

Publisher: Theatre Communications Group; Revised, Subsequent edition (February 3, 2005)

Language: English

ISBN-10: 1559362391

ISBN-13: 978-1559362399

Product Dimensions:

5.4 x 0.4 x 8.5 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

3.2 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#167,439 in Books (See Top 100 in Books)

Although some readers may be disappointed the Tony Kushner's latest play is not at all similar to his first great play, ANGELS IN AMERICA, it is one of the best plays of the decade. Kushner begins with a character who is drawn to travel to Afghanistan where she disappears. Her husband and grown daughter arrive in Kabul under the Taliban to find their wife/mother. They never do find her, but instead are exposed to life in Afghanistan under the Taliban -- a country retaining aspects of its great history, but living in a present of oppression and fear. Through this, Kushner explores the West's culpability in the tragedy of Afghanistan, the ability of the human spirit to survive under the worst possible circumstances, and the need on both sides to truly experience and understand the other. The play is filled with Kushner's trademark style -- a Brechtian, cinematic structure -- and lyrical flights of language, rich characterizations, and fascinating, disturbing ideas about a part of the world few Americans understood or knew much about prior to the tragedies of September 11. Now, more than ever, this play raises some of the most important questions of our time.

I praise courage, the will to say the truth about relations between the Western bWordl ando the Easterns, with al the west madness and superficiality and the eastern madness about the possession of the absolute truth

Good

There are points to be made and understandings to be gained from this play but it is wordy, convoluted, and difficult.

I had to read it for a class. It was O.K. At times it grabbed my interest more than I thought it would. It just wasn't the type of literature that I really enjoy and I found the writing hard to follow sometimes in the first act -- it was an intentional choice by the author to make a point, but still hard to follow. Perhaps if I had heard it spoken, since this is a play, it would have made more sense. While it did have many underlying themes I prefer something a little less pendantic.Also, it was written before 9/11 so the author chose to write a long afterward about remarks in the play about how the Taliban would be coming to the U.S. She wrote what she wrote. I didn't think she needed to write an explanation/politically correct apology.

After a very long and really absurd monologue by the Homebody at home, the story takes a steep curve and takes you to a torn up Afganistan in Taliban under the Taliban regime. A clash of cultures in optima forma.

Just so depressing and so long and boring. And I'm a Kushner fan. But I was not a fan of this.

Some people believe in reincarnation. I don't but for those who do, here is some evidence to support your case/cause. Kushner can write a pretty line, but here we have further evidence that we have a talented writer in search of a genre. Why America produces playwrights with the desire to tell the story of mankind is hard to explain. Russians don't, so sprawl alone cannot be the answer. There's O'Neill, Rice, the mature Williams, Miller: they all used the stage to explain the universe. On occasion they wrote a decent play. Kushner's writing is so good that critics overlook the fact that he can't write a play. Four hour epics don't cut it. This play opens with an arresting monologue which, as delivered in New York, was fascinating and well-worth the price of admission. The so-called play that takes up the rest of the evening is disappointing to say the least. Like Elmer Rice, there is a lively mind at work here, with huge theatrical ambitions, trying to write down everything that pops into his head. The result is a mediocre little drip into the sand of time.

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Thursday, October 28, 2010

Free PDF Handbook of Legal Reasoning and Argumentation

Free PDF Handbook of Legal Reasoning and Argumentation

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Handbook of Legal Reasoning and Argumentation

Handbook of Legal Reasoning and Argumentation


Handbook of Legal Reasoning and Argumentation


Free PDF Handbook of Legal Reasoning and Argumentation

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Handbook of Legal Reasoning and Argumentation

From the Back Cover

This handbook addresses legal reasoning and argumentation from a logical, philosophical and legal perspective. The main forms of legal reasoning and argumentation are covered in an exhaustive and critical fashion, and are analysed in connection with more general types (and problems) of reasoning. Accordingly, the subject matter of the handbook divides in three parts. The first one introduces and discusses the basic concepts of practical reasoning. The second one discusses the general structures and procedures of reasoning and argumentation that are relevant to legal discourse. The third one looks at their instantiations and developments of these aspects of argumentation as they are put to work in the law, in different areas and applications of legal reasoning. 

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About the Author

Giorgio Bongiovanni is Professor of Philosophy of Law at the University of Bologna Law School (Italy). He has published widely in constitutional theory, legal theory, metaethics and normative ethics, the theory of legal interpretation, the foundations of practical reason, the history of legal theory and philosophy, and the history and philosophy of politics. His works include, among others, a monographic volume on legal theory and constitutionalism (Laterza, 2005), and the editorship (with G. Sartor and C. Valentini) of the volume Reasonableness and Law (Springer, 2009). He also edited two books, respectively, on moral objectivism (B. Mondadori, 2007) and (with G. Gozzi) on the philosophy of international law (Il Mulino, 2006). He is associate editor of Ratio Juris: An International Journal of Jurisprudence and Philosophy of Law (Wiley-Blackwell). GeraldJ. Postema is Cary C. Boshamer Professor of Philosophy and Professor of Law at the University of North Carolina at Chapel Hill (USA). He has published extensively in legal and political philosophy and ethics. He wrote, among others, Bentham and the Common Law Tradition (Clarendon 1986/1989) and edited Racism and the Law (Kluwer 1997); Rationality, Conventions, and the Law (Kluwer 1998); Jeremy Bentham: Moral, Political, and Legal Philosophy (Ashgate 2002) and Philosophy and the Law of Torts (CUP 2001). He is associate editor of the multi-volume work A Treatise of Legal Philosophy and General Jurisprudence (Springer). Former Guggenheim and Rockefeller fellow, and fellow of the Netherlands Institute for Advanced Studies and the National Humanities Center, he was editor of Cambridge Studies in Philosophy and Law and special issues editor of Law and Philosophy. Antonino Rotolo is Associate Professor of Philosophy of Law at the University of Bologna Law School (Italy). He published two monographic volumes about reasoning by analogy in the law (Clueb, 2001) and multi-modal logics for modeling the interaction between agents and normative systems (Gedit, 2002). He has also extensively written on formal methods for practical and legal reasoning, logics for artificial intelligence, artificial intelligence and law, and philosophical logic. He served as a reviewer for many international journals and as a member of the programme committee of international conferences and workshops. He is assistant editor of Ratio Juris: An International Journal of Jurisprudence and Philosophy of Law (Wiley-Blackwell) and A Treatise of Legal Philosophy and General Jurisprudence (Springer). Giovanni Sartor is Marie-Curie Professor of Legal Informatics and Legal Theory at the European University Institute of Florence and Professor of Computer and Law at the University of Bologna (Italy), after obtaining a PhD at the European University Institute (Florence), working at the Court of Justice of the European Union (Luxembourg), being a researcher at the Italian National Council of Research (ITTIG, Florence), and holding the chair in Jurisprudence at Queen’s University of Belfast (where he now is honorary professor). He is author of ten books (among which, Legal Reasoning: A Cognitive Approach to the Law, Springer, 2005 and Artificial Intelligence in Law, Tano, 1993) and has published widely in legal philosophy and legal theory, legal informatics (artificial intelligence and law), computational logic, legislation technique, and computer law. He is co-editor of the journal Artificial Intelligence and Law (Springer). Douglas Walton holds the Assumption Chair in Argumentation Studies and is Distinguished Research Fellow of the Centre for Research in Reasoning, Argumentation and Rhetoric (CRRAR) at the University of Windsor, Canada. He is the author of over thirty-five books in the areas of argumentation, logic and artificial intelligence. They include, most recently, Witness Testimony Evidence (CUP, 2008), Dialog Theory for Critical Argumentation (J. Benjamins, 2007), Media Argumentation (CUP, 2007), and Fundamentals of Critical Argumentation (CUP, 2006). He is co-editor of Critical Argumentation book series for Cambridge University Press, and serves on the editorial boards of the Argumentation Library book series for Springer. He is on the editorial boards of the journals Argumentation and Advocacy, Artificial Intelligence and Law, Informal Logic, Philosophy & Rhetoric and Revista Iberoamericana de Argumentación.

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Product details

Hardcover: 764 pages

Publisher: Springer; 1st ed. 2018 edition (July 3, 2018)

Language: English

ISBN-10: 9048194512

ISBN-13: 978-9048194513

Product Dimensions:

6.1 x 1.6 x 9.2 inches

Shipping Weight: 2.8 pounds (View shipping rates and policies)

Average Customer Review:

Be the first to review this item

Amazon Best Sellers Rank:

#1,255,038 in Books (See Top 100 in Books)

Handbook of Legal Reasoning and Argumentation PDF
Handbook of Legal Reasoning and Argumentation EPub
Handbook of Legal Reasoning and Argumentation Doc
Handbook of Legal Reasoning and Argumentation iBooks
Handbook of Legal Reasoning and Argumentation rtf
Handbook of Legal Reasoning and Argumentation Mobipocket
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Handbook of Legal Reasoning and Argumentation PDF

Handbook of Legal Reasoning and Argumentation PDF

Handbook of Legal Reasoning and Argumentation PDF
Handbook of Legal Reasoning and Argumentation PDF